Saturday 20 October 2012

Learning Vulindlela-Compare and Contrast

Much as I requested Kevin to ask Kate, being a girl and all,(yes, all) to learn Nakupenda, I went ahead to learn this song by Brenda Fassie. You should watch the performance she does for Mandela, epic! Kwanza, that 180 split? No, it’s not the split that caught my eye though, it is the strong vocals, yidiyada.

This song is beautifully written and is slightly similar to Mwana Mberi.

 If you don't have a moral at the end of this post, remember, Africa is not a country with villages called Sangala where everyone speaks like Dubaku (24 ssn 8)  :-D Kenyan filmmakers should do a movie with a made-up European country and call it...I don't know, Skumavenia?

Now, if you are planning to do your own rendition of a song; one, get the pronunciation correct and two, find out the meaning. Otherwise you end up with this



Instead of this

Cracked me up! 

Saturday 13 October 2012

I Don't Want to be a Music Teacher

Article edited to incorporate reader response. Don't worry, the edited part stands out, you won't miss it.


The other day I was labeled 'rebellious.' Quite a shock for all who know me…and even to me. I am one of those ‘yes’ happy-go-happy bendera-hufuata-upepo people.

I however fit into the image of that character with hidden pride, the one mentioned during church seminars. Those with the pious look, but actually pride in the fact that they outwardly appear holy. Lots of church people have the same problem. It is a very subtle thing and one rarely sees it creeping in(sic), like the wasp that you’ve been seeing around but didn't know it was building a nest in your room at the top-left corner of the ceiling. Too much info, Charles.

By the way, when your girlfriend calls you by your first name, it could mean only two things… (refer to that Nigerian comedian for the rest)

Where were we? Yes! Rebelious. I prefer writing in a conversational manner. You should be able to hear me speaking to you. I dislike extremely complex prose (most probably because I'm not good at it). I inwardly correct someone when they say primare instead of praimari. I love simplicity, like Mathe does. For this post though,

I don’t want to be a music teacher. I was told every movie has the title mentioned somewhere by the characters and you should watch out for it. She (not Mathe) is the one who told me this.

Teaching music makes no sense specifically, to me. It is redundant. I mean, music is the only art/field that one studies so that they teach other people to become good enough to teach other people. WTH?!

At some point in my life I decided that I want to be a performer of music when I grow up, or should I say if. The allure of the stage and all that attention one gets, mind you, is a sign of some inner inadequacies. We won’t go into them right now though.

Do you realise we can’t have Eric Wainainas changing the sound of a generation if every music lover wants to go to K.U to get a PhD in music so that they later teach high school choirs during music festivals? A musician should create. I know they do, but when was the last time your playlist had a music teacher’s song favorited? No, seriously. Every great music teacher I know of, be it Brett Manning or Kavutha is known not for their creative work, but their teaching skills.

hmm...I've been thinking of getting dreadlocks...Quaint Photography

Other than Andrew, Sautisol’s bassist, most teachers who end up in international schools are lost in the schedules; preparing the kids for the annual concert, teachers’ meetings and supplementing that with one-off performances with the orchestras around Nairobi every now and then.

What’s the point of being a musician if all you do is teach? Ever heard of 90% of the graduands from Chiromo looking for universities in which to train other doctors?

Why should kids look up to you as a teacher if by your own example you are proving to them that their future, if they are to pursue music, is limited to becoming teachers of other kids who will be teachers of other kids who will be teachers?

I personally have chosen a better alternative. I want to be a drug tycoon so that I sponsor really good bands and launch their careers as a way to launder money. 

I prefer being a manager. In fact, I have often said to my Lele Ngoma band mates that they should allow me to quit and just focus on managing them. I could also become an events organizer coming up with concepts that can sell makers of good music. I am even willing to learn guitar and sit cross-legged at a high traffic zone in town and sing for money. But I don’t want to be a music teacher. In my not-so-humble view it is the death of the musician in the individual.

p.s. Kevo, I am not brushing aside the Masters idea.

Pause...

Are music teachers important? Heo yeah! Everyone including the aliens in space know that our music industry is in dire need of musically savvy superstars. But more than teachers, it needs role models. Think about it, who inspires you to sing better? Yolanda Adams or her vocal trainer? Atemi's vocal prowess or that of her vocal trainer? John Mayer or his guitar and songwriting teacher? 

Tuesday 2 October 2012

Lessons from the Last Performance

(Sounds like a 90s movie title, yes?:-) No? Probably a book on the movie 'The Last Performance?'
I was to do a proper post since my last one was…kinda crappy. Am being honest here. I will stop giving you peeks into my thought-speak, you get to know too much, and I love my privacy. Lemme just type them as they come, even if in bits and pieces.

Performance
This is the first part of a post for the Lelengoma blog
Before I continue, the concert went well….naaah, away with modesty, it was AWESOME! Now I will restrain myself and continue.

This was said by one Wangui Githu to her students at the Sauti Academy (I paraphrase), ‘The moment you step on that stage, it’s yours. You own it and you can do almost anything. It is your space.’ Just assume she is still talking and add this to your imagery so far. ‘When at home (or in your room), you decide whether to watch TV seated on the carpet or on the sofa or stool, you name it. It’s your space. The stage should come close to that.’

Wangui.Quaint Photography

Pauline who has a beautiful voice by the way asked me a lot on stage fright. Thum was her first time on stage with Nouvelle the band and she had those moments all performers have at some point or the other.
Once you get Wangui’s concept, performance becomes slightly easier. When you are that familiar with the stage, you can start practicing in front of a mirror and all those other things ‘public speaking’ experts tell you to do.
Similar move learnt from MJ

It is all about creating an illusion of completeness. My own thinking is that performance is a  representation of real life hence anything done on stage should be as full/complete as real life. This is why actors wear big outfits and bigger, more exaggerated expressions when on stage. That’s why choirs at the Kenya Music Festivals arrange themselves in such a way as to cover the whole stage.

Old stuff you say. Well, in today’s technological age, this is why lighting is important to a set. You either have large cameras that keep the eye roving or dancing/confusing/captivating lighting to keep you glued to the stage and…say it, create the same illusion.

Hiphop artists usually jump up and down and move around, changing formations as they perform. Ballad singers a la Luther Vandross and Ella Fitzgerald do the same, but with their voices mostly. The same applies to Operatic singers. Keep in mind their audience though-if you stand at the same place when performing to children/adults with ADD, you will have no concert. I promise.

K.R. Watch Kasiva play the djembe…or Mobutu for that matter.

I was awed the first time I watched her play.Kasiva
Lingala performers prefer to dance, but other than that they also fill the stage with ‘extras’J Not in a mean way, but honestly, you have the sexylooking mamas, about 8 of them on stage, 8 dancers and 8 vocalists, not counting the instrumentalists. What for? Ask one-man guitarist Mike Rua how to cost-cut KQ style and save money for investing in a plot in Kisaju.

The Last Performance
For THUM, we changed our usual performance set up from mic on stands to chordless mics and it worked! Especially for me. I always felt like the stands were limiting. It is based on a simple concept. If dance is not your thing or your music is not hype/pop such that you have to dance throughout the set, then move around and achieve the same illusion.

Either way, if you are a performer, find a way of performing that works for you if the above don't. You could opt to just do dreadlocks and shake them every once in a while. Or not. Experiment and find something that works with your personality. Moreover, research and observe.

And that is how you get carried away doing a blog post for one page and end up writing it up to the end. Oh well, the readers are different and the material suits both. Oh, and copy/paste option was made for a purpose!